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Welcome to the Traditional Tune Archive
The Semantic Index of North American, British and Irish traditional instrumental music with annotation, formerly known as
The Fiddler's Companion.

Featured Tunes

Leo Rowsome (1903-1970)

PARNELL’S MARCH. AKA and see "Julie's," "Micilín Conlon's," "Sweet Marie." Irish, March (6/8 or 12/8 time). G Major. Standard tuning (fiddle). AB. The tune was recorded by piper Joe McKenna under the title “Rowsome’s Jig(s),” referring to his teacher, Leo Rowsome [1], although Rowsome catagorized the tune as a 'march' on his 1926 recording for Columbia Records. Rowsome used the tune as one of his theme pieces for radio broadcasts in the 1950's and 1960's, notes Don Meade. Harry Bradley informs the tune has a long association with the uilleann pipes, having been included in Tadhg Crowley’s 1936 pipe tutor (“published the same year as Leo Rowsome’s tutor; there hadn’t been a tutor for the pipes in over a hundred years and all of a sudden two fall out of the hat in the same year!”). He believes Crowley may have borrowed heavily from Highland Bagpipe repertoire, and thinks “Parnell’s March” may have had a pipe band association.

Sol Foster (Ir-trad 12/15/05) notices the tune has a strong resemblance to Newfoundland fiddler Rufus Guinchard’s tune “Uncle Manual Milks the Cow.” Foster says the title was invented by Guinchard, and that the tune “was just a nameless one floating around the northwest portion of Newfoundland in the early 1900’s.” The march has also entered tradition in England, from the influential recording by Northumbrian musicians Willie Taylor, Joe Hutton and Will Atkinson.

PARNELL'S MARCH full annotations and Past Featured Tunes

T:Parnell's March
N:more or less as played in north Kerry
Z:lesl, adapted PdG
d2c|BGd BGD d3 d2c|BGD B2c ded d2c|
BcB BGd edc BAG|ABA d^cd Ad^c c2=c|
BGD BGD ded d2B|c2B c2e ~g3 gfe|
d2B GAB c2A FGA|{B}A3 G2F G3:||
|:g2f|e3 c2B c2e gfe|d3 ded B3B2c|
d3 d^cd ed=c BAG|ABA d^cd Ad^c d2=c|
BGD BGD ded dcB|~c2B c2e ~g3 gfe|
d2B GAB c2A FGA|{B}A2G G2F G3:||

Why TTA Who builds the Archive

Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.

This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.
Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.

Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's autopromotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index.
Above all, the developers wish you joy in the use of the TTA.

Latest Tunes

Andrew Kuntz & Valerio Pelliccioni

Help Getting started


Navigation: Registered users can navigate the Traditiona Tune Archive for information in a number of ways.

  • Search. The Search function is located at the bottom of the SideBar on the left, and can be used to search the entire index for any key word.
  • Alphabetically by tune title. Under “The Index” on the SideBar on the left is “All Tunes”. Click on “All Tunes” to open up the list of tune titles in the TTA arranged in alphabetical order, 200 titles to a page. At the top of the page is an alphabetical breakdown that serves as a shortcut to pages. Clicking on any title will bring one to the music and tune fields. Once the tune appears, clicking “Tune Discussion” at the bottom of the page (below the notation) will open up the narrative information on the tune.
  • Query the Archive. The “Query the Archive” function under “The Index” in the sidebar can be used to draw down reports from the TTA in either in single items or in a number of combinations. One might, for example, use a single item query to run a report in the TTA for a particular composer/core source. Clicking on the arrow at the right of the bar draws down a list of composer/core sources, or one may be typed in. For example, clicking on “Bill Pigg” and then the “Run Query” tab at the bottom left will result in a list of all compositions listed in the TTA that the Northumbrian piper either composed or is the core source for. Reports may also be run in combinations, as, for example, by selecting “William Marshall” as a composer/core source, “Three Flats” for the number of accidentals, and “Major” for the Key/Mode. This will result in a report of all Eb Major compositions of Scottish fiddler/composer William Marshall that are indexed in the TTA.
  • Drill Down. Cumulative information about TTA entries can be found in the “Drill Down” under “The Index” in the SideBar on the left.
  • Tune Books/Magazines in the TTA can be accessed under “Issues” in the left side bar. These are reproductions of publications for which access has been granted to the TTA by the copyright holder, under the Creative Commons license.